Daniel Bromfield

Live Review: The Coup's provocative 'Shadowbox' marred by sound problems

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The Coup's new multimedia project Shadowbox was at least partially inspired by bandleader/MC Boots Riley's experience walking into a Theater Artaud performance as a child. The performance was a treatise on AIDS, but Riley was more frightened than enlightened by the giant sets and writhing actors around him. Read more »

Boxing lessons

Emerging from the shadows, a new multi-sensory performance from Bay Area hip-hop veterans The Coup

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arts@sfbg.com

While still a child in early-'80s San Francisco, Boots Riley witnessed something he didn't quite understand but that would stick with him for the rest of his life. Walking into a theater performance at the venerable Mission District art space Project Artaud, Riley saw actors in body paint writhing around him in apparent agony on all sides. It was meant as a simulation of the AIDS epidemic, with the actors portraying the afflicted. But it didn't enlighten him much as a kid.Read more »

Marc E. Bassy on breaking down musical boxes

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As a member of 2AM Club and a songwriter for artists like Chris Brown and Sean Kingston, San Francisco-raised Marc Griffin is an experienced pop music craftsman. But as Marc E. Bassy, solo artist, he's a forward-thinking R&B auteur with more of an ear towards the genre's growing experimental fringe. Only The Poets, Vol. Read more »

Tears, beers, and bruises at Slim's with Andrew Jackson Jihad

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Andrew Jackson Jihad may be the most important punk band in America, but they sure don't look like it. They're cheerful and (relatively) clean-cut. They don't want you to crowd-surf. They don't move around a lot, and when they do they're self-conscious about it. They don't use any distortion beyond a pretty, almost psychedelic phaser. They're technically proficient enough that they could probably back up Dolly Parton if they wanted to. Read more »

Snap sounds

Quick takes on new releases

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LYKKE LI

I Never Learn (LL/Atlantic)Read more »

Why Brian Wilson's next album will probably be a masterpiece

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The name "Beach Boys" can refer to either of two bands.  The first is the happy-go-lucky surf rock band that does songs about cars and California, led by the conservative Mike Love; the second is one of the most audacious and avant-garde bands of the psychedelic era, led by the mad Zen master Brian Wilson. Though most of the music-listening world knows them primarily as the former, the latter has proven far more influential, pushing the Beatles' creativity to breaking point out of rivalry as well as serving as a major touchstone for the last decade or so of indie rock.Read more »

Snap sounds

Quick takes on new releases

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THE SOFT PINK TRUTH

Why Do The Heathen Rage? (Thrill Jockey)Read more »

A hard look at 'A Hard Day's Night'

At 50, the Beatles third album demands a critical re-listen

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arts@sfbg.com

More than any other Beatles album, A Hard Day's Night — which turned 50 last week — embodies the clichés surrounding the band's early period. The cheesy harmonies, the "whoa"s and "yeah"s, the sappy love songs: All are there in abundance. It's also the most obvious manifestation of the John/Paul dichotomy. Though the idea of John as the bad boy and Paul as the balladeer is largely accepted as a myth by Beatles fans, that dynamic is a lot closer to the truth than folks give it credit for, and on no album is it clearer than A Hard Day's Night.Read more »

At 50, turning a critical eye on 'A Hard Day's Night'

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More than any other Beatles album, A Hard Day's Night — which turns 50 this week — embodies the cliches surrounding the band. The cheesy harmonies, the "whoa"s and "yeah"s, the sappy love songs, the teen-idol cuteness: All are there in abundance. It's also the most obvious manifestation of the John/Paul dichotomy. Though the idea of John as the bad boy and Paul as the author of silly love songs is largely accepted as a myth by Beatles fans, it's a lot closer to the truth than folks give it credit for, and on no album is it more clear than A Hard Day's Night.Read more »

Mac DeMarco underwhelms at Amoeba — until he busts out the covers

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Mac DeMarco has one of the most charismatic, clearly defined personas of anyone in indie rock. He chain-smokes, cross-dresses, makes out with interviewers, and -- in what might be the key piece of apocryphal Mac mythology -- once stuck his thumb up his ass at a gig. Read more »